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Lucifer · Bearer of Light — Fallen Archangel, Prince of Pride

Lucifer (Latin Lucifer — 'light-bringer', Hebrew Heylel — 'morning star') is the most famous fallen angel in Christian tradition — the decisive canon — and the Prince of Pride (Pride, Superbia) of the Seven Deadly Sins — originally God's most glorious archangel, who fell from heaven due to pride in seeking to make himself equal to God and became the King of Hell — the decisive canonical iconographic figure. Aliases — Satan (Satan), Morning Star (Morning Star, Lucifer), Heylel ben Shahar (Heylel ben Shahar), Helel (Helel), the fallen archangel, the King of Hell — are the decisive canonical vocabulary. The decisive Old Testament canon is the decisive origin canon of Isaiah (Isaiah) 14:12-15 of c. 6th century BCE — 'How art thou fallen from heaven, O Lucifer (Heylel ben Shahar), son of the morning! how art thou cut down to the ground, which didst weaken the nations'. The decisive literary canon is the decisive canon of Dante Alighieri's (Dante Alighieri) Divine Comedy (Divina Commedia) Inferno (Inferno) Canto 34 of c. 1308-1320 — the giant with three faces and six wings frozen up to his chest in the ice of Cocytus (Cocytus) — and John Milton's (John Milton) Paradise Lost (Paradise Lost) of 1667 — Lucifer as the tragic hero of free will.

Satan · The Adversary — Prince of Wrath, Accuser of Humanity

Satan (Hebrew Satan, Greek Satanas, Latin Satanas, Aramaic Satana) is the supreme demon of the Judeo-Christian-Islamic tradition — the decisive canon, the decisive canonical vocabulary derived from the Hebrew 'satan' meaning 'adversary' or 'accuser'. The aliases Diabolos (Greek 'slanderer'), devil, Lucifer ('light-bearer'), Belial, Beelzebub, Iblis (Islamic Satan), old serpent, great dragon, and prince of darkness are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of Job (Job) chapters 1:6-12 and 2:1-7 of c. 6th-4th century BCE — the adversary (the-satan, with the definite article) who tested Job (Job) in the heavenly court — and the decisive canon of Zechariah (Zechariah) 3:1-2 of c. 6th-5th century BCE — Satan accusing Joshua (Joshua). The decisive canon of the 40-day temptation of Jesus Christ in the wilderness in Matthew (Matthew) 4:1-11 and Luke (Luke) 4:1-13 of the 1st century CE, the decisive canon of the heavenly war in Revelation (Revelation) 12:7-9 in which the great dragon Satan was cast down by the archangel Michael, and the decisive canon of the thousand-year binding and the final eternal lake of fire in 20:1-3 and 20:10.

Beelzebub · Lord of the Flies — Prince of Gluttony

Beelzebub (Hebrew Baʿal-Zəvuv, Greek Beelzeboul, Latin Beelzebub) is the great demon of the Judeo-Christian tradition — the decisive canon — derived from the Hebrew Baal-zebub meaning 'Lord of the Flies' — the decisive canonical iconographic figure originating in the city of Ekron of Philistia where the god 'Baal-Zebul (Baal-Zebul, prince Baal)' was worshipped, with Jews scornfully changing the name to 'Lord of the Flies (zebub = fly)'. Aliases — Beelzeboul, Lord of the Flies, prince of devils, and Archduke of 'Gluttony (Gula, Gluttony)' among the Seven Deadly Sins — are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of 2 Kings 1:2-16 of c. 6th-4th century BCE in which the king of Israel Ahaziah (Ahaziah) fell ill and sent messengers to consult Beelzebub of Ekron, only to be rebuked by Elijah (Elijah), and the decisive canon of Matthew (Matthew) 12:24-27, Luke (Luke) 11:15-19, and Mark (Mark) 3:22 of the 1st century CE in which the Pharisees slandered Christ by saying 'he casts out demons by Beelzebub, the prince of demons'. The decisive 17th-century English-literary canon of John Milton's (John Milton) Paradise Lost (Paradise Lost) Book 1 lines 78-81 of 1667 — the fallen angel next to Lucifer — and the decisive 20th-century English-literary canon of William Golding's (William Golding) novel Lord of the Flies (Lord of the Flies) of 1954.

Asmodeus · Prince of Lust — Demon Who Destroys Marriages

Asmodeus (Hebrew Ashmedai, Greek Asmodaios, Latin Asmodaeus) is the great demon of lust, marriage destruction, and wrath of Jewish apocrypha and Christian tradition — the decisive canon, the decisive canonical iconographic figure derived from the Persian Zoroastrian Aeshma-daeva (Aeshma-daeva, 'wrath demon'). The etymology is the decisive canonical vocabulary of the Zoroastrian Avesta (Avesta) Aeshma (Aeshma, 'wrath') + daeva (daeva, 'evil god'), and the Hebrew Ashmedai (Ashmedai) and Greek Asmodaios are the decisive canonical vocabulary. The decisive textual canon is the Book of Tobit (Book of Tobit) chapter 3 verse 8 of c. 200 BCE Jewish apocrypha — the decisive canon of the lust demon who killed Sarah's (Sarah) seven husbands on their wedding night — and chapter 3 verse 17, chapter 6 verses 14-18, and chapter 8 verses 1-3 — the decisive canon in which the archangel Raphael (Raphael) made Tobias (Tobias) burn fish liver and heart on incense, and the smoke drove Asmodeus away and Raphael bound him in upper Egypt. The Testament of Solomon (Testament of Solomon) chapter 5 of c. 1st-3rd century CE — the decisive canon of the lust towards Solomon's wife — and the Lesser Key of Solomon (Lesser Key of Solomon, Ars Goetia) of c. 17th century — the decisive canon as the 32nd king of the 72 demons.

Belphegor · Prince of Sloth — He Who Ruins Humanity Through Laziness

Belphegor (Latin Belphegor, English Belphegor) is the demon of Judeo-Christian tradition — the decisive canon — and the Prince of Sloth (Sloth, Acedia) — one of the Seven Deadly Sins — derived from the Hebrew Baal-Peor (Baal-Peor, 'Lord of Peor') — the decisive canonical vocabulary — the decisive canonical iconographic figure of the Moabite god of the Old Testament era personified from the Judeo-Christian perspective. Aliases — Baal-Peor (Baal-Peor), Belfagor (Belfagor), Balphegor (Balphegor), Prince of Sloth — are the decisive canonical vocabulary. The decisive Old Testament canon is the decisive origin canon of Numbers (Numbers) 25:1-9 of c. 6th-4th century BCE — 'And Israel abode in Shittim, and the people began to commit whoredom with the daughters of Moab. And they called the people unto the sacrifices of their gods: and the people did eat, and bowed down to their gods. And Israel joined himself unto Baal-Peor (Baal-Peor): and the anger of the LORD was kindled against Israel'. The decisive satirical literary canon is the decisive canon of Novella di Belfagor Arcidiavolo (Novella di Belfagor Arcidiavolo) by the Italian Niccolò Machiavelli (Niccolò Machiavelli) of 1518.

Bael · First of Solomon's 72 Spirits — King of the East

Bael (Latin Bael, English Bael, Hebrew Baal — 'lord') is the 1st of the 72 demons in Book 1 Ars Goetia (Ars Goetia) of the 17th-century grimoire — the decisive canon — The Lesser Key of Solomon (Lemegeton Clavicula Salomonis) — and the King of the East (King of the East), commanding 66 legions (legions) of demons — the decisive canonical iconographic figure. The etymological origin is the decisive origin canon of Baal (Baal, son of El), the Canaanite and Phoenician god of fertility, thunder, and war, in the Ugaritic Baal Cycle (Ugaritic Baal Cycle, KTU 1.1-1.6) of c. 13th century BCE — the decisive canonical vocabulary degraded by the later Judeo-Christian tradition to a foreign idol. Aliases — Baal (Baal), Baal Hadad (Baal Hadad), Baal-Zebub (Baal-Zebub), Baal-Peor (Baal-Peor), King of the East — are the decisive canonical vocabulary. The decisive Old Testament canon is the decisive canon of the confrontation between Elijah and the 450 prophets of Baal on Mount Carmel in 1 Kings (1 Kings) 18:17-40 of c. 6th-4th century BCE.

Paimon · Ninth of Solomon's 72 Spirits — King of Arts and Knowledge

Paimon (Latin Paimon, English Paimon) is the powerful king of the 9th rank among the 72 demons in Book 1 of the 17th-century grimoire — the decisive canon — The Lesser Key of Solomon (Lemegeton Clavicula Salomonis) — Ars Goetia (Ars Goetia) — commanding 200 legions (legions) of demons — the decisive canonical iconographic figure. Aliases — Paimaim, King Paimon, King of Camels, King of Arts and Sciences — are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of Paimon in Pseudomonarchia Daemonum (Pseudomonarchia Daemonum) of Johann Weyer (Johann Weyer) of 1563 and the decisive canon of the 9th rank king of the 72 demons in Book 1 Ars Goetia (Ars Goetia) of The Lesser Key of Solomon (Lemegeton Clavicula Salomonis) of the 17th century. The decisive grimoire canon of Paimon in The Magus (The Magus) of Francis Barrett (Francis Barrett) of 1801 of England, and the decisive art canon of the Paimon iconography depicting a crowned man on a camel in the Dictionnaire Infernal (Dictionnaire Infernal) of Collin de Plancy (Collin de Plancy) of 1863, and the decisive 21st-century film canon of 'Hail Paimon' in the film Hereditary (Hereditary) (directed by Ari Aster (Ari Aster), A24) released in the USA on 8 June 2018.

Astaroth · 29th of Solomon's 72 Spirits — Great Duke

Astaroth (Latin Astaroth, English Astaroth) is the demon of the Great Duke rank, 29th of the 72 demons in Book 1 Ars Goetia (Ars Goetia) of the 17th-century grimoire — the decisive canon — The Lesser Key of Solomon (Lemegeton Clavicula Salomonis) — commanding 40 legions (legions) of demons — the decisive canonical iconographic figure. The etymological origin is the decisive canonical vocabulary of Ishtar (Ishtar, Akkadian), the Mesopotamian goddess of fertility, love, and war of c. 2000 BCE → Phoenician and Canaanite Astarte (Astarte) → the foreign goddess Ashtoreth (Ashtoreth) of the Old Testament → the male duke-demon of the 16th-17th century grimoires. Aliases — Ashtoreth (Ashtoreth), Astarte (Astarte), Ishtar (Ishtar), the Duke of liberal sciences — are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of Astaroth in Pseudomonarchia Daemonum (Pseudomonarchia Daemonum) of Johann Weyer (Johann Weyer) of 1563, and the decisive canon of the 29th rank Great Duke of the 72 demons in Book 1 Ars Goetia of The Lesser Key of Solomon (Lemegeton Clavicula Salomonis) of the 17th century. The decisive 19th-century art canon of the Astaroth iconography on the wicked dragon in the Dictionnaire Infernal (Dictionnaire Infernal) of Collin de Plancy of 1818, and the decisive 21st-century global game canon of Astaroth (in the form of a golem wielding a giant axe) in the Soulcalibur (Soul Edge/Soulcalibur) series by Japanese Namco (Namco) from 1995.

Mara · Buddhist Demon-King of Desire — Hinderer of Enlightenment

Mara (Sanskrit Māra, Pali Māra) is the demon king of Buddhist mythology — the decisive canon — derived from the Sanskrit 'Māra' meaning 'death, destruction' — the decisive canonical vocabulary — the lord of the sixth heaven of the desire realm (Kāmadhātu), Paranirmita-vaśavartin, who tempts humans with desire and illusion to obstruct liberation — the decisive canonical iconographic figure. Aliases — Māra (Māra), Demon King (Demon King), God of Death, Lord of the Desire Realm, Māra Pāpīyas (Māra Pāpīyas, Evil One) — are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of the Padhāna Sutta (Padhāna Sutta) of the Pali Sutta Nipāta (Sutta Nipāta) of c. 5th-3rd century BCE — the Buddha defeating the trial of Māra and his three daughters under the Bodhi tree — and the decisive canon of Buddhacarita (Buddhacarita) Canto 13 by Aśvaghoṣa (Aśvaghoṣa) of the 2nd century CE.

Mammon · Demon of Wealth — Prince of Greed

Mammon (Aramaic Māmōnā mamona, Greek Mamōnas, Latin Mammona) is the demon of wealth and greed of the Christian tradition — the decisive canon, the decisive canonical iconographic figure — the decisive canon, derived from the Aramaic 'mamona' meaning 'wealth, money', originally a common noun but personified in the New Testament to become an idol opposed to God. The aliases Mamōnas, prince of riches, king of gold, and Archduke of 'Greed (Avaritia, Greed)' among the Seven Deadly Sins are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of 'No man can serve two masters: for either he will hate the one, and love the other; or else he will hold to the one, and despise the other. Ye cannot serve God and Mammon (You cannot serve God and Mammon)' in Matthew (Matthew) 6:24 of the 1st century CE New Testament and the same verse in Luke (Luke) 16:13 and the 'mammon of unrighteousness (mammon of unrighteousness)' in 16:9-11. The decisive canon of the fallen angel who always gazed at the golden pavements even in heaven in Paradise Lost (Paradise Lost) Book 1 lines 678-688 of John Milton (John Milton) of 1667.

Orobas · 55th of Solomon's 72 Spirits — Horse-Headed Prince of Truth

Orobas (Latin Orobas) is the 55th demon of the 72 demons of Solomon (Goetia) — the decisive canon — of the rank of Great Prince — the decisive canonical iconographic figure with a horse's head and a human body, or a complete horse, an honest demon who never lies. Aliases — Orobas (Orobas), Prince of Truth, Horse-headed Demon, Gentlemanly Demon, 55th Spirit of Solomon — are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of Pseudomonarchia Daemonum (Pseudomonarchia Daemonum, 'The False Hierarchy of Demons') by the German physician and occult writer Johann Weyer (Johann Weyer, 1515-1588) of 1577, and the decisive canon of Spirit 55 Orobas in Part I Goetia of the Lesser Key of Solomon (Lesser Key of Solomon, Lemegeton) of the 17th century. The decisive uniqueness canon is the decisive canon as a 'gentlemanly' demon clearly favorable to the summoner unlike the other 71 demons and never lying — the decisive canon summoned in Solomonic magic to receive the oracle of truth.

Baphomet · Goat-Headed Idol — Symbol of the Occult and Conspiracy

Baphomet (Latin Baphometh, English Baphomet) is the decisive canonical iconographic figure of the name of the idol that the Knights Templar (Knights Templar) were alleged to have worshipped at the trials of the late Middle Ages of the 14th century — the decisive canonical iconographic figure of an androgynous seated figure with a goat's head and a human body, with an inverted pentagram on the forehead, bat wings, and a torch. Aliases — Baphomet (Baphomet), Goat of Mendes, Sabbatic Goat, Goat-headed Idol, Symbol of Esotericism and Conspiracy — are the decisive canonical vocabulary. The decisive origin canon is the decisive origin canon of becoming famous after King Philip IV (Philip IV, 'the Fair') of France tortured the Templars on 13 October 1307 to extract confessions that they worshipped 'Baphomet' to destroy the Templars, and the decisive canon of the iconography of the 'Baphomet de Mendes' in Dogme et Rituel de la Haute Magie (Dogme et Rituel de la Haute Magie, published 1854-1856) of 1856 by the French occultist Eliphas Levi (Eliphas Levi, 1810-1875).

Leviathan· Vast Sea Monster Prince of Envy

Leviathan (Hebrew Liwyāṯān, Greek Leviathan, Latin Leviathan) is the great sea monster of the Old Testament — the decisive canon, the demon that developed into the Archduke of Envy in the Christian tradition — the decisive canonical iconographic figure of 'the coiling one', derived from the Hebrew 'lawah' meaning 'to twist, coil'. The aliases Liwyāṯān, Lotan (Ugaritic prototype), sea serpent, piercing serpent, and nachash bariach are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of the 7-headed sea chaos monster Lotan (Lotan, ltn) in the Baal Cycle (Baal Cycle) of Ugarit (Ugarit) of c. 13th century BCE, and the decisive canon of the invincible sea monster that only God could subdue in Job (Job) 41:1-34 (40:25-41:26 in the Hebrew text) of c. 6th-4th century BCE. The decisive canon of the slaying of Leviathan at the 'end of days' in Isaiah (Isaiah) 27:1, Psalm (Psalm) 74:14 and 104:26, and the decisive canon of Leviathan and Behemoth (Behemoth) in the Babylonian Talmud Bava Batra (Bava Batra) 74b-75a of the 4th-6th century.

Abaddon· Angel of Destruction King of the Abyss

Abaddon (Hebrew Avaddon, Greek Apollyōn, Latin Abaddon) is the angel of destruction in the Judeo-Christian tradition — the decisive canon — derived from the Hebrew verb avad meaning 'to perish, destroy' — the decisive canonical iconographic figure of 'destruction (destruction)' and the Greek Apollyon (Apollyōn) meaning 'destroyer (destroyer)'. Aliases — Apollyon, Abaddon, King of the Abyss (Abyss), King of the Locust Swarm — are the decisive canonical vocabulary. The decisive textual canon is the decisive origin canon of Job (Job) 26:6, 28:22, and 31:12 of c. 6th-4th century BCE in which 'Abaddon' is personified as the grave or place of destruction, and the decisive canon of Proverbs (Proverbs) 15:11 and 27:20 and Psalm (Psalm) 88:11. The decisive New Testament canon is the decisive canon of Revelation (Revelation) 9:11 of the 1st century CE — 'And they had a king over them, which is the angel of the bottomless pit (angel of the bottomless pit), whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon'. The decisive 17th-century English-literary canon of Apollyon's combat with Christian in The Pilgrim's Progress (The Pilgrim's Progress) by John Bunyan (John Bunyan) of 1678.

Lilith · Witch of the Night — Adam's First Wife, Mother of Demons

Lilith (Hebrew Lilith, Latin Lilith) is the female demon of Jewish mythology — the decisive canon — and in some traditions, the 'first woman' formed by God from earth at the same time as Adam, not from his rib, but who, considering herself equal to Adam and refusing to submit to him, left Eden and then united with Satan (Samael) and gave birth to countless demons (Lilim) — the decisive canonical iconographic figure. Aliases — Lilitu (Lilitu, Mesopotamian), Mother of Lilim, Consort of Samael, Night Demoness, Adam's First Wife — are the decisive canonical vocabulary. The decisive Old Testament canon is the decisive origin canon of Isaiah (Isaiah) 34:14 of c. 6th century BCE — 'Lilith (Hebrew Lilith), the night creature dwelling with wild beasts'. The decisive Jewish apocryphal canon is the decisive canon of the Alphabet of Ben Sira (Alphabet of Ben Sira) of c. 8th-10th century — the myth of Adam's first wife — and the decisive Kabbalah canon is the decisive canon of Lilith as the consort of Samael (Samael) in the Zohar (Zohar) by Moses de León (Moses de León) of c. 1280.